
Pedro Almodóvar
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Sony Pictures Classics takes North America on Pedro Almodóvar’s ‘Parallel Mothers’
Review: ‘Live Flesh’ — A Painfully Underrated Pedro Almodovar Thriller | by Reece Beckett | Counter Arts | Jun, 2026
Pedro Almodóvar regifts his own pithy, self-critical autofiction in Bitter Christmas
Pedro Almodóvar Says ‘Europe Must Never Be Subjected to Trump’ and Wears ‘Free Palestine’ Pin at Cannes Press Conference
Pedro Almodóvar says film-makers have a ‘moral duty’ to speak out against the far right
Bitter Christmas review – grief, loss and artistic betrayal in Almodóvar’s film within a film
In Pedro Almodovar’s Bitter Christmas , the Ideas Feel Familiar But the Packaging Is as Pleasing as Ever
Pedro Almodóvar's Cannes Screening Interrupted by Medical Emergency, Audience Evacuated: Reports
Pedro Almodóvar’s ‘Bitter Christmas’ Cannes Press Screening Interrupted By Medical Emergency
Cannes Press Screening of Pedro Almodóvar’s ‘Bitter Christmas’ Evacuated Due to Medical Emergency
Pedro Almodóvar sounds off on refusing Saudi money, the apolitical Oscars and more
Pedro Almodóvar returns to Cannes – but has Spain’s most famous director finally given up on comedy?
Pedro Almodovar’s Potential Cannes Contender ‘Bitter Christmas’ Draws Upbeat Reviews in Spain
Pedro Almodóvar’s Hardest to Stream Body Horror Thriller Is Finally Available to Watch — But There’s Still a Catch
San Sebastian To Fete Pedro Almodóvar’s Longtime Producer Esther García With Career Achievement Award
Pedro Almodóvar's 'The Last Dream' - a wild ride into the recesses of his mind
Pedro Almodóvar meditates on death in first English feature 'The Room Next Door'
Pedro Almodóvar Describes His Latest Era in Life as ‘More Somber, More Austere, More Melancholic, Less Certain’
Pedro Almodóvar Welcomes First A-List Fest Top Prize As ‘The Room Next Door’ Scoops Venice Golden Lion But Suggests It’s 40 Years Too Late
Pedro Almodóvar Doesn’t Love How Hollywood Sees Directors as ‘Just a Part of the Crew’