Kenji Mizoguchi

Kenji Mizoguchi

Kenji Mizoguchi Biography & Movies

Sisters of the Gion (1936) Movie Review: Kenji Mizoguchi

Kenji Mizoguchi, le cinéaste à la cicatrice dans le dos

Japan’s Most Influential Film Critic Curates New York Showcase Tying Together Ozu, John Ford, Mizoguchi and Michael Mann

Kenji Mizoguchi: The Life of a Film Director (1975) by Kaneto Shindo Documentary Review

The Criterion Collection re-releases Kenji Mizoguchi’s “Ugetsu” in a first

UGETSU 4K Review: Kenji Mizoguchi's Masterpiece

Kenji Mizoguchi: The Life of a Film Director

Mizoguchi's women

Scott Reviews Kenji Mizoguchi’s Ugetsu [Criterion Blu-ray Review]

Flashback: The Story of the Last Chrysanthemums – Kenji Mizoguchi’s pre

Kenji Mizoguchi and the Cinema of Obfuscation

Women Through Mizoguchi’s Lens

Kenji Mizoguchi in Pacific Film Archive retrospective

Better Than Ozu and Kurosawa: Mizoguchi

Museum of Moving Image to Hold First U.S. Kenji Mizoguchi Retrospective in Twenty Years

Kenji Mizoguchi Will Receive of Retrospective at Moving Image, 5/2-6/8

Kenji Mizoguchi’s ‘The Life of Oharu’ an enduring tale of struggle

A Journey Through the Eclipse Series: Kenji Mizoguchi’s Women of the Night

Criterion Announces July Slate, Including Releases From Ang Lee, Kenji Mizoguchi and Guillermo Del Toro

Kenji Mizoguchi’s Ugetsu

ReFramed 16: Kenji Mizoguchi’s ‘The Crucified Lovers’ (1954)

A Journey Through the Eclipse Series: Kenji Mizoguchi’s Sisters of the Gion

A Journey Through the Eclipse Series: Kenji Mizoguchi’s Osaka Elegy

A Journey Through The Eclipse Series: Kenji Mizoguchi’s Street Of Shame

Eclipse Series 13: Kenji Mizoguchi’s Fallen Women